COML 3300

COML 3300

Course information provided by the Courses of Study 2016-2017.

An introduction (without prerequisites) to fundamental problems of current political theory, filmmaking, and film analysis, along with their interrelationship.  Particular emphasis on comparing and contrasting European and alternative cinema with Hollywood in terms of post-Marxist, psychoanalytic, postmodernist, and postcolonial types of interpretation.  Filmmakers/theorists might include: David Cronenberg, Michael Curtiz, Kathryn Bigelow, Gilles Deleuze, Rainer Fassbinder, John Ford, Jean-Luc Godard, Marleen Gorris, Werner Herzog, Alfred Hitchcock, Allen & Albert Hughes, Stanley Kubrick, Fredric Jameson, Chris Marker, Pier-Paolo Pasolini, Gillo Pontecorvo, Robert Ray, Martin Scorsese, Ridley Scott, Oliver Stone, George Romero, Steven Shaviro, Kidlat Tahimik, Maurizio Viano, Slavoj Zizek.  Although this is a lecture course, there will be ample time for class discussions.

When Offered Fall.

Distribution Category (CA-AS)

Comments Weekly film screening, TBA.

View Enrollment Information

Syllabi: none
  •   Regular Academic Session.  Combined with: GERST 3550GOVT 3705PMA 3490

  • 4 Credits Stdnt Opt

  • 16379 COML 3300   SEM 101

  • Weekly film screening, TBA.