- Schedule of Classes - February 21, 2020 7:14PM EST
- Course Catalog - February 21, 2020 7:15PM EST
Course information provided by the Courses of Study 2019-2020.
This course examines the way audiotape both corrupted and enabled the aesthetic and political culture of the 1970s. The possibilities of editing (via the cut, the loop, the overdub, the mixtape) on one hand, and the seeming capacity for indiscriminate recording of sound on the other, revealed tape to be a medium with claims both for authentic documentation (and also surveillance), and wide aesthetic reference (but also mass deception). With one ear to the state and another to the music industry, this class will focus on the way politics and the arts responded to and incorporated the new technology. Artists include Andy Warhol, Steve Reich, Samuel Beckett, Allen Ginsberg, William S. Burroughs, Laurie Anderson, The Firesign Theatre, Dr. Dre, Marley Marl.
When Offered Spring.
Distribution Category (LA-AS)
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