- Schedule of Classes - April 5, 2020 7:14PM EDT
- Course Catalog - April 5, 2020 7:15PM EDT
Course information provided by the Courses of Study 2019-2020.
China, a cultural giant of East Asia, made a passive entrance into modernity. With the advent of Western and American colonialism and imperialism, coupled with recent successes in westernization by the Japanese, Chinese artists had to redefine their roles as well as their visions. This turmoil bore witness to a vibrant beginning in modern Chinese art. Interactions between the Chinese themselves, and Chinese interactions with foreigners in the major cities of Shanghai and Beijing, fostered new directions in Chinese art and helped shape western visions of Chinese art history. Issues covered include: Chinese debates on western influence--their theoretical foundations and rationales; New visions for the future of Chinese art in the late 19th and early 20th centuries; Pluralistic approaches and arguments on "Chinese identity" in the modern era; Collecting art and the vision of history; The identity of traditional literati painters in the modern era-their roles, artworks, and deeds; Foreigners in China-the formation of major European collections of Chinese art, and the formation of "Chinese art history" in the West.
When Offered Spring.
Course Subfield (SC)
Credits and Grading Basis
4 Credits Opt NoAud(Letter or S/U grades (no audit))
Class Number & Section Details
- MGoldwin Smith Hall G19
- Jan 21 - May 5, 2020
Instruction Mode: Hybrid - Online & In Person
Instructor Consent Required (Add)
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