COML 4616

Course information provided by the Courses of Study 2017-2018.

In this seminar we will sustain a particular reading of post-1984 Mexico-US border cultural production as "undocumentation." Specifically, we will focus on performance, conceptual, and cinematic practices that corrupt the spreadsheet and the exposé; that reflect their makers' commitments to portraying extreme labor situations in a period of greater Mexican neoliberal transition now synonymous with NAFTA, culture and drug wars, and border militarization and maquilization. Assigned texts will include artwork by the Border Art Workshop and Elizabeth Sisco, Louis Hock, and David Avalos; writing by Gloria Anzaldúa, Guillermo Gómez-Peña, Sara Uribe, and Sergio González Rodríguez; contributions to the Tijuana-San Diego installation festival inSITE; and "undocumentaries" like Alex Rivera's Borders Trilogy, Sergio De La Torre and Vicki Funari's Maquilapolis, and Natalia Almada's El Velador.

When Offered Spring.

Permission Note Enrollment limited to: 15 students. Intended for advanced undergraduates and graduate students.

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Enrollment Information
Syllabi: none
  • 16491COML 4616  SEM 101