- Schedule of Classes - June 18, 2017 7:14PM EDT
- Course Catalog - June 14, 2017 7:15PM EDT
Course information provided by the Courses of Study 2016-2017.
In retrospect, was film anything more than some highly flammable strips of celluloid? Taking its cue from the "digital turn," this course rephrases a traditional question asked in film theory about the nature of the medium (What is film?) in terms of a historical question: What was film when it was still something to be cut, wound up, and carried around, a thing with a literally explosive potential? Reframing the object of study in this manner will help situate familiar narrative cinema within more unfamiliar scientific, aesthetic, and experimental contexts. Early film theorists saw great potential in the new medium, thought to be capable of conveying a new experience of movement and time, creating a new art of light and shadow, or functioning as a new kind of scientific instrument. Screenings will put readings of early film theory in dialogue with early European silent films that address similar concerns about the nature of cinema, such as A Trip to the Moon (1902), The Cabinet of Dr. Caligari (1920), The Adventures of Prince Achmed (1926), and Man with a Movie Camera (1929).
When Offered Spring.
Distribution Category (CA-AS)
Comments Taught in English. Film screening one evening night per week TBA.
Credits and Grading Basis
4 Credits Stdnt Opt(Letter or S/U grades)
Class Number & Section Details
- TRGoldwin Smith Hall 350
Taught in English. Film screening one evening night per week TBA.
Disabled for this roster.