COML 6771

COML 6771

Course information provided by the Courses of Study 2016-2017.

This course examines Indigenous art, new media and film from three distinct interrelated perspectives of aesthetics/theory, technology and history/culture. The relationship between technology and tradition reevaluates established assumptions between representation, power and the gaze. Decolonizing methodologies will establish the translatability of Indigenous oral tradition to visual expression as a form of cultural agency. The use of media as a cultural and political intervention will be discussed through the work of Hopi filmmaker, Victor Masayesva, Inuit filmmaker, Zacharias Kunuk, the Kayapo Media Collective, Aboriginal artist, Tracy Moffat, new media artist; Mohawk, Skawanati, Maori photographer, John Miller and more. The construction, circulation, and reception of Indigenous visual culture will be discussed within a transnational, diasporic and global frame.

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Syllabi: none
  • 17223 COML 6771   SEM 101