COML 6341

COML 6341

Course information provided by the Courses of Study 2016-2017.

The rise of cinema and mechanized representational technologies has provided an informative backdrop for a century long reflection on aesthetics and the excesses of affect, sentiment, and corporeality in relation to modern/postmodern formulations of subjectivity, community, politics, race, and sexuality. Emphasizing French Psycho-Philosophical approaches to cinematic technologies, the course will rehearse the intellectual backdrop for understanding this Aesthetics of Excess with readings in Freud, Bergson, Artaud, Heidegger, and Merleau-Ponty in order to frame discussion of later twentieth and twenty-first century reflections on the balance between aesthetics and cinematic and new media technologies. In dialogue with a range of films and digital artworks, we will analyze texts to be chosen from Fanon, Barthes, Simondon,Lyotard, Deleuze, Derrrida, Kristeva, Laplanche, Stiegler, Duguet, Bellour, Nancy, and Rancière.

When Offered Spring.

Permission Note Enrollment limited to: 15 students.

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Enrollment Information
Syllabi: none
  • 17208COML 6341  SEM 101