COML 6262

Female Complaints: Gender in Early Modern Lyric and Modern Theory

Course Description

Course information provided by the Courses of Study 2021-2022.

This course asks how Renaissance lyric poetry (including Petrarch, Labé, Ronsard, Shakespeare, Wroth) negotiates questions of gender through poetic innovation and, just as often, through the use of poetic commonplaces. We will read this poetry in conversation with modern and contemporary theory (including Cixous, Sedgwick, Ngai, Berlant) to help us understand Renaissance lyric's particular fascination with women's bodies. We will ask how male poets' cliché-ridden poems about women offer us ways to think about the persistence and flexibility of misogynist tropes. We will also ask how feminist and queer theory—as well as female poets' responses to their male predecessors and contemporaries—variously diagnose, subvert, and internalize those tropes. For longer description and instructor bio visit the Society for the Humanities website.

When Offered Fall.

Permission Note Enrollment limited to: graduate students.

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